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Press the F key while the Re ne Edge dialog box is open to cycle through the ve preview modes. While in those modes, press the X key to temporarily hide the preview. Press the X again to reinstate it.
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Thi s anal ys is indicates that for a given current there is a resonant voltage ri se across the inductor and capacitor Ihat is equal to the product of Q and the applied volt age.
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One way to assess the value of a Knowledge Management initiative is to look at the incremental value of information along the KM life cycle. As illustrated in Exhibit 7.6, the contribution of the KM process to the incremental value of information varies with the processing of information. In general, the largest contribution to value is the initial creation and acquisition of information. Also significant is the translation and repurposing phase of the life cycle, in that the incremental value of translating information can result in an increase in value similar to that of the original creation and acquisition phase. Archiving, modification, and implementing user authentication and other methods of providing restricted access to the information generally provide significantly less incremental value to the information. For example, the value of information in an archive may drop precipitously because of changes in the market or within the corporation. In addition to fluctuations in the value of information over time, there are differences in incremental contributions to the value due to administrative costs, competing services, economies of scale, inefficiencies of processing, labor costs, overhead, and the details of the process. For example, some processes, such as archiving, incur greater administrative
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floating panel tabs can display names and icons; custom floating panel tabs can display only names. floating panels can be assigned a minimum size; custom floating panels cannot (that is, the user can shrink them down to about 100 100 pixels). barcode 128 anfang
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11. When you re finished, click OK. 12. If you d like to use the down ( _f03) and over while down ( _f04) images, attach additional Swap Image behaviors to the image files. For help, see 11.
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n Units. From the pull-down menu select a unit of measure. The options include Points, Picas, Millimeters, Centimeters, and Inches. n Margin Controls. Choices for margins are available for each side of the page. In the field boxes for each side, you can use the up or down arrows and watch a preview in the thumbnail at the top of the dialog box. As you press the up or down arrow, the margin line is displayed in the thumbnail. If you want to supply numeric values, enter them in the field boxes. n Constrain Proportions. Check the box to keep proportions constrained. As you edit one text box in the Margin Controls, Acrobat supplies the same value in the remaining text boxes. For example, if you add one inch in the Top text box, Acrobat adds 1 inch to the Bottom, Left, and Right text boxes.
Figure 3.14 shows where the grips would be placed on a variety of objects.
You can also create your own custom shape presets from an existing path or vector mask. To do this, select the path in the Paths palette, or the vector mask by clicking its thumbnail in the Layers palette, then choose Edit Define Custom Shape. Give your masterpiece a name, and Photoshop adds it to the Shape palette, ready for use when creating new custom shapes.
although it s not mandatory, it s good practice to provide enough detail displayed in a read-only format so that the user can be sure he is removing the correct record. a confirmation message on the submit button (with something akin to are you sure you want to do this ) is nice also. n
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ha s an abc-ph ase seque nce. Th e line and load impedances are 0.5 + O. li nand 10 + is n. respecti vely. If V,\n = 11 5 ( 30 0 V rms . fi nd the ph ase voltage o f the sources.
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14. To adjust the circle s size, open the Layers window by either double-clicking the layer in the Time Layout palette or choosing Layer Open Layer Window. In the Layer window, choose Path Text from the Layer pop-up menu. Click the circles to adjust the curve. (Note that any change you make in the Layer window is automatically updated in the Composite window. The Layer window for the Path Text project can be seen in Figure 25-5, shown earlier.) 15. You can rotate the text around the curve to animate it. To do so, click the triangle in front of the Path Text (Solid) layer to display its features. Then click the Transform triangle to display the Rotation option. Move the Time Marker to the Timeline s beginning and then click the Stopwatch icon next to the Rotation option to create your first keyframe. Then move the Time Marker over on the Timeline and click the degree amount next to the Rotation option. When the Rotation dialog box appears, type in a degree amount and click OK to create another keyframe. Continue moving the Time Marker on the Timeline and changing the Rotation degree to create keyframes. Continue until you have a number of keyframes, or until you ve created a complete rotation. 16. Choose File Save to save your work. 17. To preview your work, choose Composition Preview RAM Preview. 18. You can import this project into Premiere by creating a QuickTime movie. To do so, choose File Export QuickTime Movie. In the Save dialog box that appears, name the file. In the Movie Settings dialog box, make the necessary adjustments and choose OK to save the file.
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