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1333. D. Yellin and E. Weinstein. Multichannel signal separation: methods and analysis. IEEE Trans. Signal Processing, 44:106 118, Jan 1996. 1334. A. Yeredor. Blind source separation via the second characteristic function. Signal Processing, 80(5):897 902, 2000. 1335. Y.-L. You and M. Kaveh. A regularization approach to blind restoration of images degraded by shift-variant blurs. In Proc. IEEE ICASSP, pages 2607 2610 vol.4, Detroit, MI, 1995. 1336. A. Ypma and A. Leshem. Blind separation of machine vibration with bilinear forms. In Proceedings of the Second International Workshop on ICA and BSS, ICA 2000, pages 405 410, 19-22, June 2000. 1337. A. Ypma, A. Leshem, and R.P.W. Duin. Blind separation of rotating machine sources: bilinear forms and convolutive mixture. Neurocomputing, 2002. 1338. A. Ypma and P. Pajunen. Rotating machine vibration analysis with second-order independent component analysis. In Proceedings of First International Workshop on Independent Component Analysis and Signal Separation (ICA 99), pages 37 42, Aussois, France, January 1999. 1339. X.-H. Yu and Z.-Y. Wu. A novel blind adaptive equalization technique. In Proc. IEEE ICASSP, pages 1445 1448, vol.3, Albuquerque, NM, 1990. 1340. N. Yuen and B. Friedlander. Asymptotic performance analysis of blind signal copy using fourth-order cumulants. International Journal of Adaptive Control and Signal Processing, 10(2-3):239 265, March 1996. 1341. A.L. Yuille, D.M. Kammen, and D.S. Cohen. Quadrature and the development of orientation selective cortical cells by Hebb rules. Biological Cybernetics, 61:183 194, 1989. 1342. W.I. Zangwill. Nonlinear Programming: A Uni ed Approach. Prentice Hall Inc., New Jersey, 1969. 1343. S. Zazo, J.M. Paez-Borrallo, and I.A.P. Alvarez. A linearly constrained blind equalization scheme based on Bussgang type algorithms. In Proc. IEEE ICASSP, pages 1037 1040 vol.2, Detroit, MI, 1995. 1344. H.H. Zeng and L. Tong. Connections between the least-squares and the subspace approaches to blind channel estimation. IEEE Trans. Signal Processing, 44:1593 1596, June 1996. 1345. H.H. Zeng, S. Zeng, and L. Tong. On the performance of blind equalization using the secondorder statistics. In Proc. IEEE ICASSP, pages 2427 2430 vol. 5, Atlanta, GA, 1996. 1346. S. Zeng, H.H. Zeng, and L. Tong. Blind channel equalization via multiobjective optimization. In Proc. IEEE SP Workshop on Stat. Signal Array Processing, pages 160 163, Corfu, Greece, 1996. 1347. S. Zeng, H.H. Zeng, and L. Tong. Blind channel estimation by constrained optimization. In Proc. IEEE ISCAS, pages 89 92 vol.2, Atlanta, GA, 1996. 1348. S. Zeng, H.H. Zeng, and L. Tong. Blind equalization using CMA: performance analysis and a new algorithm. In Proc. IEEE Int. Conference Communic., pages 847 851 vol.2, Dallas, TX, 1996. 1349. E. Zervas and J. Proakis. A sequential algorithm for blind equalization. In Proc. IEEE MILCOM, pages 231 235 vol.1, San Diego, CA, 1992. 1350. E. Zervas, J. Proakis, and V. Eyuboglu. E ects of constellation shaping on blind equalization. Proc. SPIE, 1565:178 187, 1991.
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17. After you finish with the beard, continue using the same tools to remove the spots and damage from his face. Be sure to get that bad spot just above his eye on the right. Notice the bit of texture to his skin caused by the texture of the original print s paper. I m going to leave it, because I think it will help to define his face on a small print like a 5 7. If you want to tone it down with one of the tools we ve used so far, go ahead. When you re finished, make one more pass over the entire image, quadrant-by-quadrant, to see if you missed anything.
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If you select Solid from the Gradient Type pop-up menu, you use the options shown in Figure 6.12 to adjust the gradient. Note that this is a doctored screen shot all the options are visible in the figure; normally, only some of the options associated with the active stops are available. The fade bar (labeled in Figure 6.12) shows the active gradient. The starting color is represented by a color stop (see the triangle on top of a square) on the left; the ending color stop appears on the far right. The upside-down stop markers on the top of the fade bar are opacity stops. These stops determine where colors are opaque and where they fade into translucency or even transparency. To select either type of stop, click it. The triangle portion of the stop appears black to indicate that it is active. After you select a stop, diamond-shaped midpoint markers appear between the stop and its immediate neighbors. On the color-stop side of the fade bar, the midpoint marker represents the spot where the two colors mix in exactly equal amounts. On the transparency side, a marker indicates the point where the opacity value is midway between the values that you set for the stops on either side of the marker. You can change the location of any stop or marker by dragging it. Or you can click a stop or marker to select it and then type a value in the Location option box below the fade bar: n When numerically positioning a stop, a value of 0 percent indicates the left end of the fade bar; 100 percent indicates the right end. Even if you add more stops to the gradient, the values represent absolute positions along the fade bar. n When repositioning a midpoint marker, the initial setting of 50 percent is at equal points between two stops, 0 percent is all the way over to the left stop, and 100 percent is all the way over to the right. Midpoint values are, therefore, measured relative to stop positions. In fact, when you move a stop, Photoshop moves the midpoint marker along with it to maintain the same relative positioning. If you type a value below 5 percent or more than 95 percent, Photoshop politely ignores you.
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In earlier versions of Acrobat the only way you could remove a background was to open the Add Header and Footer dialog box and return all settings to defaults, and then click OK. Acrobat essentially replaced your headers and footers with nothing. Now in Acrobat 8 you have a menu command specifically used for removing headers and footers. Select Document Header & Footer Remove. A dialog box opens prompting you to confirm the action. Click OK and your headers and footers are removed.
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The next several sections explain the character-formatting options. All apply to both paragraph and point text. You can specify formatting before you type or reformat existing type by selecting it first.
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At the bottom of the screen is a pane containing thumbnail images of each slide. You can jump to a slide by selecting it here. You can also move between slides by using the large left-arrow and right-arrow buttons. The speaker notes for each slide appear in the right pane. You cannot edit them from here, however. Zoom buttons appear below the Speaker Notes pane, so you can zoom in and out on the notes. A Time and Duration display appears below the current slide. It tells you the current time and how long you have been talking. The panes are adjustable by dragging the dividers between them, so you can have larger thumbnails, a smaller slide display, more or less room for notes, and so on.
=COUNTIF(Data,12) =COUNTIF(Data, <0 ) =COUNTIF(Data, <>0 ) =COUNTIF(Data, >5 ) =COUNTIF(Data,A1) =COUNTIF(Data, > &A1) =COUNTIF(Data, * ) =COUNTIF(Data, ) =COUNTIF(Data, budget ) =COUNTIF(Data, *budget* ) =COUNTIF(Data, A* ) =COUNTIF(Data,TODAY()) =COUNTIF(Data, > &AVERAGE(Data)) =COUNTIF(Data, > &AVERAGE(Data)+ STDEV(Data)*3) =COUNTIF(Data,3)+COUNTIF(Data,-3) =COUNTIF(Data,TRUE) =COUNTIF(Data,TRUE)+COUNTIF (Data,FALSE) =COUNTIF(Data, #N/A )
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pared as part of a Comprehensive Annual Financial Report, discussed later in this chapter.) MD&A should contain a comparison of current year results with those of the prior year. Statement No. 34 of the GASB provides a listing of very specific topics to be included in MD&A, although governments are encouraged to be creative in presenting the information using graphs, charts, and tables. The GASB would like MD&A to be a useful analysis that is prepared with thought and insight, rather than boiler-plate material prepared by rote every year. However, the phrase the minimum is the maximum applies. This means that MD&A should address all of the applicable topics listed in GASBS 34, but MD&A should address only these topics. Of course, governments preparing Comprehensive Annual Financial Reports can include in the Letter of Transmittal any topic that would be precluded from being included in MD&A. Current year information is addressed in comparison with the prior year, although the current year information should be the focus of the discussion. If the government is presenting comparative financial data with the prior year in the current year financial statements, the requirements for MD&A apply to only the current year. However, if the government is presenting comparative financial statements, that is, a complete set of financial statements for each year of a two-year period, then the requirements of MD&A must be met for each of the years presented. In addition, MD&A focuses on the primary government. For fund information, the analysis of balances and transactions of individual funds would normally be confined to major funds, although discussion of nonmajor fund information is not precluded. Governments use judgment in determining whether discussion and analysis of discretely presented component unit information is included in MD&A. The judgment is based on the significance of an individual component unit s significance to the total of all discretely presented component units, as well as its significance to the primary government. ( 5 explains component units.) The minimum requirements for MD&A are as follows:
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