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8. Begin to encrypt the drive by clicking the Encrypt button.
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Previously, to build a Web Service for SQL Server data, it required building several layers: IIS, .NET code, a message queuing system, and ADO to connect to SQL Server at the back end. All those layers affected performance. A better way to build a Web Service is to leverage the high-performance HTTP listener built into the new generation of operating systems. At the kernel level of Windows Server 2003, Windows XP, and probably Windows Vista, is the HTTP.sys process, which listens to HTTP requests. SQL Server 2005 uses HTTP.sys endpoints.
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Part V: Creating Drawings
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Text boxes are a more recent addition that enables the user to limit the size, particularly the width, that a note can occupy. This enables notes to wrap in tight spaces on title or revision blocks, as well as other places.
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This chapter introduces SQL Server 2005 endpoints and describes how to configure the endpoint. However, the Web Service is only half of the picture. To fully understand Web Services, you also need to see the .NET application that consumes, or uses, the Web Service.
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Figure 23-5: Windows Live Home can be a fine Web starting point, especially if you ve
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Analog is best explained by examining the transmission of a natural form of information, such as sound or human speech, over an electri ed copper wire. In its native form, human speech is an oscillatory disturbance in the air that varies in terms of its volume or power (amplitude) and its pitch or tone (frequency). In this native acoustical mode, the variations in amplitude cause the physical matter in the air to vibrate with greater or lesser intensity and the variations in frequency cause the physical matter in the air to vibrate with greater or lesser frequency. So, the physical matter in the space between the speaker s mouth (transmitter) and the listener s ear (receiver) serves to conduct the signal. That same physical matter, however, also serves to attenuate (weaken) the signal. The longer the distance is between mouth and ear, the more profound the effect. As a result, it is dif cult, if not impossible, to communicate acoustically over distances of any signi cance, especially between rooms separated by doors and walls or between oors separated by oors and ceilings. In order to overcome these obvious limitations, native voice acoustical signals are converted into electromagnetic signals and sent over networks, with the compression waves falling onto a microphone in a transmitter embedded in a handset or speakerphone. The microphone converts the acoustical signals into analogous (approximate) variations in the continuous electrical waveforms over an electrical circuit, hence the term analog. Those waveforms maintain their various shapes across the wire until they fall on the speaker embedded in the receiver. The speaker converts them back into their original acoustical form of variations in air pressure, which can be received by the human ear and understood by the human brain. A similar but more complicated conversion process is used to transmit video over networks. In its native form, video is a series of still images, each comprising re ected light waves. Transmitted in rapid succession, the series of still images creates the illusion of uidity of motion. The transmitter (i.e., video camera) creates analogous variations in electrical or radio waveforms, which it sends in rapid succession over a network to a receiver (i.e., monitor), which re-creates an approximation (analog) of the original information. Information that is analog in its native form (voice and other forms of audio and image and video) can vary continuously in terms of intensity (volume or brightness) and frequency (tone or color). Transmission of the native information stream over an electri ed analog network involves the translation of those variations into amplitude and frequency variations of the carrier signal. In other words, the carrier signal is modulated (varied) in order to create an analog of the original information stream. The electromagnetic sinusoidal waveform, or sine wave, as illustrated in Figure 1.5, can be varied in amplitude at a xed frequency using Amplitude Modulation (AM). Alternatively, the frequency of the sine wave can be varied at constant amplitude using Frequency Modulation (FM). Additionally, both frequency and amplitude can be modulated simultaneously to create an analog of the native signal, which generally varies simultaneously along both parameters. Finally, the position of the sine wave can be manipulated (actually, can appear to be manipulated), adding the third technique of Phase Modulation [PM, also known as Phase Shift Keying (PSK)]. 6 discusses these modulation techniques in considerable detail.
chapter
Managing toolbars
'This draws the Front Portion. grphSurface.DrawString( _ Me.Text, Me.Font, brshForeText, rectForeGround)
When all appropriate edges around all of the holes and slots are selected, the Shut-off Surfaces PropertyManager message window turns green and says The mold is separable into core and cavity. The tags on the loops in the graphics window will say either No Fill, Contact, or Tangent. No Fill means that you do not want SolidWorks to create the shut-off surfaces. You will do these manually. Sometimes shut-off surfaces require complex or multi-feature shut-offs, which you have to do manually. The Contact condition means that the shut-off surface just needs to touch the edges, usually at a right angle. Tangent should be obvious. Sometimes you need a combination of conditions in a single shut-off, in which case you will need to finish the feature manually. When the parting line and shut-off surfaces are complete, SolidWorks will automatically knit together all the surfaces in each Cavity and Core folder into a single surface body.
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