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Microsoft Access is often described as a landing pad for many types of data. What this means is that Access can use and exchange data among a wide range of applications. For example, you might need to get data from other databases, such as FoxPro, or dBASE. Or you might need to obtain information from SQL Server or Oracle, a text file, or even an XML document. Access can move data among several categories of applications, database engines, and even platforms (mainframes and Macintosh computers). Open the 17_1.accdb database in Access, and click the External Data ribbon tab (see Figure 17.1). You ll see the following groups: Import, Export, Collect Data, and Web Linked Lists.
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module multiplication (inputA, inputB, outputA); input [1:0] inputA, inputB; output [3:0] outputA; wire [3:0] outputA; assign outputA = inputA * inputB; endmodule Figure 4.22 shows a diagram of the synthesized logic module multiplication in Example 4.31. Example 4.32 is a Verilog test bench that can be used to simulate the Verilog code of module multiplication. The simulation results are shown in Example 4.33.
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The state transition diagram of the CTMC is shown in Fig. 7.9. The following global balance equations can be derived:
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historian Will Durant either wrote the epilogue (the most probable case not least because of its stylistic echoes of Gibbon, Durant s model), was involved in its writing, or at least inspired it. The epilogue adapts and quotes, if without reference, from the last page of text in Durant s book on Roman history: Caesar and Christ: A History of Roman Civilization and of Christianity from Their Beginnings to A.D. 325 (New York: Simon and Schuster, 1944), 672. The chapter s title is Epilogue ; its nal section is The Roman Achievement. In it Durant applies, as he does in slightly different wording in the souvenir program, a famous line from Horace to t the circumstance that a captured but civilized Rome captured its Germanic conquerors; cf. Horace, Epistles 2.1.157, about Greece and Rome. The letter of King Theodahad referred to in the history of the Forum is preserved by Cassiodorus, Variae 10.30, but it does not concern crumbling monuments and temples but only crumbling statues of elephants. The stretch which the truth here had to endure, although not entirely a distortion of fact, makes for a dramatic transition from the past to the present. In his prologue Durant, too, comes perilously close to abandoning the path of truth when he observes, no doubt in deference to the lm s plot, that Marcus Aurelius neglected to choose and train a successor when in fact Marcus had chosen Commodus as his co-emperor four years before he died. The set of the Forum came close to nding a second life on screen when director Richard Lester and his designer were considering it for A Funny Thing Happened on the Way to the Forum (1966). But they concluded that the cost of keeping the scaffolding in place was going to be higher than building a new set. They found another area thirty miles outside of Madrid that was more in keeping with their proposed style. Rather than attempt to duplicate the grandeur that was Rome in its heyday, they wanted it to look more like . . . a small village . . . a working village, all higgledy-piggledy and authentic. Quoted from Andrew Yule, The Man Who Framed the Beatles: A Biography of Richard Lester (New York: Fine, 1994), 112. Lester made the right decision. The Forum set received a kind of posthumous honor when it made it into the Guinness Book of World Records.
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