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There are many thousands of hardware devices that you can use with Windows, and no one rule that applies to troubleshooting all of them. So you ll likely have to consider all of your resources. Be sure to check the manual that came with the hardware device first. If that doesn t work, the device manufacturer s Web site will likely be your next best bet. When you need to ask a question, consider the Microsoft.public.windows.vista.hardware_ devices newsgroup in Microsoft Communities. And, as mentioned at the start of this chapter, search Vista s built-in Help and Support for the word troubleshoot followed by the type of device that s giving you the problem.
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Figure 15-5: Using drag-and-drop to copy files from a CD In the CD s folder, select the icons of the files you want to copy. If you want to copy them all, just press Ctrl+A or choose Edit Select All from the menu bar in the CD s folder. Then, just drag any selected icon to the destination folder and wait while the files are copied. (CDs are rather slow compared to other types of disks, so don t expect the job to be too speedy.) After all the files have copied, remove the CD from the drive. Store the CD away for safekeeping as a backup. Open the folder to which you copied the files, and you should be able to open and edit them normally. If the copied files are all read-only, select all their icons, choose Properties, clear the Read-only checkbox, and click OK. (Remember, you can t clear the Readonly checkbox for files on the CD, but you certainly can clear that checkbox on the files you copied from the CD.)
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Stone, Douglas, Bruce Patton, and Sheila Heen. Dif cult Conversations: How to Discuss What Matters Most. New York: Penguin Group, 1999. Weissman, Jerry. Presenting to Win: The Art of Telling Your Story. Updated edition. Upper Saddle River: Financial Times Prentice Hall, 2008.
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Rosen, Philip. Change Mummi ed: Cinema, Historicity, Theory. Minneapolis: University of Minnesota Press, 2001. . Securing the Historical: Historiography and the Classical Cinema. In Mellencamp and Rosen (eds.), Cinema Histories, Cinema Practice. 17 34. Rosendorf, Neal Moses. Hollywood in Madrid : American Film Producers and the Franco Regime, 1950 1970. Historical Journal of Film, Radio and Television, 27 no. 1 (2007), 77 109. Rosenstone, Robert A. History on Film / Film on History. Harlow: Pearson Longman, 2006. . Visions of the Past: The Challenge of Film to Our Idea of History. Cambridge: Harvard University Press, 1995. Ruoff Gene W. (ed.). The Romantics and Us: Essays on Literature and Culture. New Brunswick: Rutgers University Press, 1990. Russell, D. A. (ed.). Antonine Literature. Oxford: Oxford University Press, 1990. Rutherford, R. B. The Meditations of Marcus Aurelius: A Study. Oxford: Clarendon Press, 1989. Ryan, Alan, What Happened to the American Empire The New York Review of Books (October 23, 2008), 59 62. Said, Edward W. Orientalism. 1978. Rpt. New York: Vintage, 2003. Salmon, E. T. The Nemesis of Empire. London: Oxford University Press, 1974. . The Roman Army and the Disintegration of the Roman Empire. Transactions of the Royal Society of Canada, 3rd ser., sect. II, 52 (1958), 43 57. Samuel Bronston s The Fall of the Roman Empire. Souvenir book. New York: National Publishers, 1964. Santoro L Hoir, Francesca. Tragedy, Rhetoric, and the Historiography of Tacitus Annales. Ann Arbor: University of Michigan Press, 2006. Saunders, J. J. Gibbon in Rome 1764. History Today, 14 (1964), 608 615. Schlesinger, Arthur M., Jr. The Imperial Presidency. Boston: Houghton Mif in, 1973; new ed., 2004. . The Vital Center: The Politics of Freedom. 1949. Rpt. New Brunswick: Transaction Publishers, 1998. Schoedel, William R. Christian Atheism and the Peace of the Roman Empire. Church History, 42 (1973), 309 319. Scorsese, Martin, and Michael Henry Wilson. A Personal Journey with Martin Scorsese through American Movies. New York: Miramax Books / Hyperion, 1997. Selden, Raman, Peter Widdowson, and Peter Brooker. A Reader s Guide to Contemporary Literary Theory. 5th ed. Harlow: Pearson Longman, 2005. Seure, Georges, and H. d Espouy. Monuments antiques, relev s et restaur s par les architectes pensionnaires de l Acad mie de France Rome. Vol. 2: Monuments antiques de Rome. Paris: Massin, 1911. Seydor, Paul. Peckinpah: The Western Films: A Reconsideration. Urbana: University of Illinois Press, 1997.
Part II
7. C. Batini, S. Ceri and S. Navathe. Conceptual Database Design: An Entity-Relationship Approach. Benjamin-Cummings, Redwood City, CA, 1992. 8. M. Blaha and W. Premerlani. A catalog of object model transformations. Presented at the 3rd Working Conference on Reverse Engineering, Monterey, CA, 1996. 9. G. Booch, M. Engel, and B. Young. Object Oriented Analysis and Design with Applications. Addison-Wesley, Reading, MA, 2007. 10. S. Cook and J. Daniels. Designing Object Systems. Prentice Hall, Upper Saddle River, NJ, 1994. 11. J. Crupi, D. Alur, and D. Malks. Core J2EE Patterns. Prentice Hall, Upper Saddle River, NJ, 2001. 12. J. Cruz-Lemus, M. Genero, M. Esperanza Manso, and M. Piattini. Evaluating the effect of composite states on the understandability of UML statechart diagrams. In MoDELS 2005. Lecture Notes in Computer Science, vol. 3713, Springer-Verlag, New York, 2005. 13. K. Czarnecki and S. Helsen. Feature-based survey of model transformation approaches. IBM Systems Journal, special issue on model-driven software development, 45(3): 621 645, 2006. 14. T. Mens, K. Czarnecki, and P. Van Gorp. A Taxonomy of model transformations. Dagstuhl Seminar Proceedings vol. 04101, 2005. 15. M. Fowler. Refactoring: Improving the Design of Existing Code. Addison-Wesley, Reading, MA, 2000. 16. E. Gamma, R. Helm, R. Johnson, and J. Vlissides. Design Patterns: Elements of Reusable Object-Oriented Software, Addison-Wesley, Reading, MA, 1994. 17. M. Giese and D. Larsson. Simplifying transformations of OCL constraints. In MoDELS 2005. Lecture Notes in Computer Science, vol. 3713. Springer-Verlag, New York, 2005. 18. M. Grand. Patterns in Java. Wiley, New York, 1998. 19. M. Harman, D. Binkley, and S. Danicic. Amorphous program slicing. Journal of Systems and Software, 68(1): 45 69, Oct. 2003. 20. A. Knapp and J. Wuttke. Model-checking of UML 2.0 interactions. In Proceedings of the 5th International Workshop on Critical Systems Development Using Modelling Languages (CSDUML). Telenor Report 20/2006, 2006. 21. S. Kim and D. Carrington. A formal mapping between UML models and object-Z speci cations. In ZB 2000, Lecture Notes in Computer Science, vol. 1878. Springer-Verlag, New York, 2000. 22. K. Lano. The B Language and Method. FACIT Series. Springer-Verlag, New York, 1996. 23. K. Lano and J. Bicarregui. Semantics and transformations for UML models. Presented at the UML 98 Conference, Mulhouse, France, 1998. 24. K. Lano. Transformational program analysis. Journal of Software Testing Veri cation and Reliability, 4: 155 189, 1994. 25. K. Lano. Constraint-driven development. Information and Software Technology, 50: 406 423, 2008. 26. K. Lano. Formalising design patterns as model transformations. VIII in T. Taibi, ed., Design Pattern Formalisation Techniques. IGI Publishing, Hershey, PA, 2007. 27. K. Lano. A compositional semantics of UML-RSDS. SoSyM, 8(1): 85 116, Feb. 2009. 28. S. Markovic and T. Baar. Refactoring OCL annotated class diagrams. In MoDELS 2005. Lecture Notes in Computer Science, vol. 3713. Springer-Verlag, New York, 2005.
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Shockwave 3D is an interactive format used by Macromedia s Director software. The exporter includes an Analysis tool and a Preview window. To export a Max scene to the Shockwave 3D format, select File Export or File Export Selected and select the Shockwave 3D format as the File Type in the file dialog box. After you give the file a name and click OK, the Shockwave 3D Scene Export Options dialog box opens. This dialog box contains several options that you can include in the export file, such as Geometry, Animations, Material, Texture maps, Shaders, and Lights. You can also select a camera to use or choose to use the Active Viewport. The Compression Settings for Geometry, Texture, and Animation can be set to different quality settings between 0 and 100, and you can choose to limit the texture size. The Shockwave 3D Export Options dialog box includes buttons that enable you to check the objects for any geometry abnormalities that will cause problems within a Shockwave viewer. After you click the Author Check button, all geometries are checked, and another dialog box listing potential problems opens. Possible problems include the following: Geometries with holes Isolated vertices Unsupported textures Use of any Shaders other than Blinn Unsupported modifier and controller animations The Analyze button opens the Shockwave 3D File Analysis dialog box, shown in Figure 3-11. This dialog box shows a pie chart of the size of the various objects used in the scene.
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